My work in sculpture is drawn from diverse sources such as mythology, ritual, literature, and a variety of natural and social sciences. I am drawn to myth’s and rituals that stem from spiritual and physical trials which were created with the intent to arouse empathy, awareness, and invention. I gravitate towards mythologies that integrate the infamous hare as a protagonist endowed with the essence of duality. The hare is a transformative symbol, perpetually dancing between altruism, trickery, and sexuality. Within my work the hare acts as a vehicle that navigates through Navajo, Aztec, and Buddhist folklore, Japanese ritual, Western literature, and the literal substance of our physical reality. As I distill the imagery and principle ingrained within these sources, I search for structure and form that help to accentuate qualities of contradiction and correlation.